Computer Arts (August 2005)

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3 This model was shot against a black background, but to minimise the need for retouching, you’ll need to delete the spotlight. Add a Layer Mask to the Model layer by clicking the Layer Mask icon in Layers palette. Isolate the model using a combination on the Pen and Airbrush tools and make a backup of the masked layer by copying it behind the background layer. 4 2 Next prepare the model for the illustration using Photoshop’s colour correction and masking tools. jpg image, provided on the cover CD, drag her into place on the blank canvas and name the layer Model.

Uk LEFT: Dan Moore, Ian Hambleton and Rob Coke, the boys behind Studio Output, recently set up new offices in London. about a dozen clients, and there are now eight of us. ” FIRST PROJECT: “The first project was sale publicity for an upmarket women’s clothes boutique called Milli. uk HISTORY: “We set up as a partnership in August 2002,” says Studio Output co-founder Dan Moore. “Rob Coke and I worked at another Nottingham agency and Ian Hambleton was a client working in event management. The three of us felt setting up and going it alone was a natural progression.

Add 2 per cent noise to reduce banding, Copy the style to the other layers in the set and vary the effect. 8 Create a new layer, name it Gradient 2 and move it to the top of the layer stack. Select the Brush tool and choose a 400 pixels-wide brush with soft edges. Set the opacity to 40 per cent, hold down Shift to constrain brush movement to a straight line, and paint a vertical stripe from top to bottom of the canvas. 13 Select any of the layers. Press Command+T to transform the contents of the layer set and select Perspective from the Contextual menu.

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