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Bizarre Sinema, Wildest, Sexiest, Weirdest, Sleaziest Films: by Carlos Aguilar, Daniel Aguilar

By Carlos Aguilar, Daniel Aguilar

Eroticism in eastern style cinema of the Golden Age, from “Ero Gro” to “Pinku Eiga”, to the “Roman Porno”. The gruesome, the surreal, the macabre, the sadism, the masochism, the lesbianism within the video clips produced via the likes of Shintoho, Daiei, Nikkatsu, Toei and Okura, within the movies through Koji Wakamatsu (Violated Angels, The Embryo), Teruo Ishii (Joys of Torture), Yusuke Watanabe (Female, evening Ladies), Yasuzo Masumura (Cross of ardour, A Fool’s Love), Seijun Suzuki (Gate of Flesh, Branded to Kill), Ko Nakahira (Hunter’s Diary), Toshiaki Kunihara (Secret booklet of a ladies Prison), Nobuo Nakagawa (Vampire Woman), Keigo Kimura (Diary of a silly outdated Man)...
The heroines of those films are play-ed through such intercourse symbols as Mako Midori, Naomi Tani, Ikuko Moori and Ayako Wakao, which are perpetually tied up and tortured.
This quantity incorporates a wealthy iconographic reveal of infrequent photographs and unique posters, unpublished writings via the everlasting Queen of S&M Naomi Tani, and cult administrators like Teruo Ishii and Seijun Suzuki, finishing up with a specific bibliography and filmography.

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Extra resources for Bizarre Sinema, Wildest, Sexiest, Weirdest, Sleaziest Films: Japanese Ero Gro and Pinku Eiga 1956-1979

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The second is the necessity to reaffirm the principle of individual responsibility for human rights violations and to recognize the need to trace responsibility from the individual perpetrator to the highest levels of authority that structured the crime in question, on up to generals and heads of state. Eloquently framed at Nuremberg more than half a century ago, the principle has been enforced to date only in the most selective ways, generally with respect to defeated nations and never to the major powers.

We can trace the origins of an American conception of normative (moral, legal, religious) self-justification to the long period of colonial existence under British dominion. ” Whatever the ugly and bloody realities of postindependence American expansionism and Western Hemisphere interventionary diplomacy, no amount of contradictory behavior, even that exhibited with respect to Indians and slaves over several centuries, would tarnish this national sense of moral superiority over other countries.

And so realist intellectuals and diplomats, often against their better judgment, felt obliged in public pronouncements to conceal their policy recommendations beneath a legitimating cloak of moral fervor. In so doing, it was possible for them to hide the crasser sides of American material and imperial interests at stake in a foreign policy debate and confuse the public as to the real motivations of American foreign policy, while at the same time producing an impression abroad that claims of American exceptionalism were mainly designed to hide American imperialism.

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